Okay November, let’s dance. And that was my Kevin Bacon pop culture reference for the post. You can’t see it, but trust me… I’m doing a little dance in my chair. Which makes this a two-fer as I am also giving a nod to one of Craig Ferguson’s new things. You know, something old, something new… both are borrowed.
Right, stay on target.
November is coming up fast. In my world that means a number of things. First and foremost is the NaNoWriMo is looming. No offense to TeslaCon and Deer Season (one of which I am gearing up for as well), or to the newly started GameHole Con. Really, I won’t be ignoring you this month. But honestly, NaNoWriMo is my focus. It has been for a several years. And as such, I am starting my first prep post for the big day.
Of course once I am on the front line and taking fire, these will start to drop in frequency. But for now, I am working on preparing. Partially because I am at TeslaCon from Halloween Night until that Sunday. With at least one or two visits to GameHole Con for the OddCon Suite Party. And I will still be getting in my 2k a day.
Coming up next week, we are looking at doing a pair of NaNoWriMo Prep Parties. Kind of a meet and greet for people and a way for writers to get their minds in the right place. Maybe do some plotting. At least come up with a character or two. I’ll post once we confirm place and time here, but you can find them in the Madison regional forum on the NaNoWriMo site. Which you should be on if you are participating.
For now, I give you this rough outline of what you should consider for your prep. With less time on hand, my plan is to plot the novel roughly. Flying by the seat of my pants works best when I have time to screw things up and stumble. There will be no stumble time in 2013. Last summer I started concentrating on key scenes. The ones I knew I had to have. Got stuck? Go on to the next scene… you can stitch them together later in edits. Especially if you only have 50k of first draft done.
Last month I found this off a blog or post that I forgot where it came from. This is far more general than my list of scenes method, but more linear. I intend to set up this framework and tape the SOB up on my bookcase until the month is over. Maybe a copy on my iPad. And in my folder. You get the idea. Steal it from me if this will help you, as I have stolen it as well.
Identify Your Scenes
- The Inciting Incident. This scene dramatizes the call to action, the event that propels your protagonist into the story.
- End of Act I. A second high-conflict scene usually occurs at the end of Act 1, or about a quarter of the way through the story. This is the “we’re not in Kansas anymore” moment where your protagonist realizes the totality of the challenge she faces and discovers that there is no going back.
- Midpoint. A third high-conflict scene falls somewhere near the middle of the story. This is the point where things look bleakest for your protagonist. It may appear that there is no way out, that the antagonist is just too powerful, that it is probably wisest to run rather than stand and fight.
- End of Act II. A fourth high-conflict point usually occurs at the end of Act II, about three quarters of the way through the story. Your protagonist has decided to fight (really, how could she do anything else), and this is a major test. The stakes are high (but not yet the highest), and propel the story on to its inevitable conclusion.
- Climax. The last high-conflict scene is comes near the end of the book. This is the battle of all battles, the decisive moment that determines whether your protagonist gets what she wants badly, or not.
If you are in the Madison area, I’ll see you out and about doing public authorin’ throughout the month. I’ll be the scruffy looking old guy with the Neil Gaiman’s Gazebo sign.